With photographs from London, Lisbon, Berlin, Chicago and Gothenburg my exhibition turned out quite ok. As a creator you always see the small flaws and all, but taking two steps back even I can think: “I’m ok”.
It’s hung inside the Swedish Television and Swedish Radio broadcasting building in Gothenburg, so not that easy to access it. But for me, as a first ever, it is nice enough. You like it too?
In a few weeks I’ll be back again. Last time it was for Thanksgiving and the November wind was less forgiving.
This time it’ll be summer and we’ll be approximately 12 Swedish Street photographers, staying for a long weekend. Me, I’ll first visit my family in Indy (Indianapolis). Seeing them again is a must, but after that I’ll indulge in all of the more or less dramatic Chicago scenes. See you there?
Recently got a question for my best tips in Street photography. Three came to me instantly, to me the most important ones: 1. Get close, 2. Eyes and 3. Take lot of photos.
Eyes are to me the most important element in street photography. Eyes looking at you or projecting and leading to something else, maybe the main motif? When I walk the street it’s eyes I look for most of the time. Here a few examples of what I mean.
On the street, it doesn’t have to be perfect. The emotions count, no matter how technically good you are. So, sometimes I like it to be not only rough and somewhat “unfinished”, but also out of focus. It works as it is.
My Project Time is change (#TIC)is slowly picking up speed. Now there’s a page in my portfolio/project section on this site, where you can check it out. #TIC is at the moment (sic) what broods my mind the most, so I’ll soon update with more pics.
Whenever I walk the streets, I look a lot for people in all shapes and of all kinds of action. Well aware that my presence alone manipulates reality (as it should be), I really don’t believe inte the so-called paradigm of candid street photography: “To not interact or influence what’s happening.”
To me, street photography has a documentary notion. And you just don’t manipulate the pic, the moment when it was taken.
I’ve gotten sidetracked in one specific way, and thats in what I call the Artsy project. On a page/portfolio on this site you can see some of the results. And, as you might see, it all starts with one of my street pics. Click here to see them.